![]() ![]() One great reason why it is felt that we must secure a physical object in addition to the sense-data, is that we want the same object for different people. In this chapter we have to see why this is the case. This is an uncomfortable possibility but although it cannot be strictly proved to be false, there is not the slightest reason to suppose that it is true. Thus if we cannot be sure of the independent existence of objects, we shall be left alone in a desert-it may be that the whole outer world is nothing but a dream, and that we alone exist. For if we cannot be sure of the independent existence of objects, we cannot be sure of the independent existence of other people's bodies, and therefore still less of other people's minds, since we have no grounds for believing in their minds except such as are derived from observing their bodies. Is there a table which has a certain intrinsic nature, and continues to exist when I am not looking, or is the table merely a product of my imagination, a dream-table in a very prolonged dream? This question is of the greatest importance. The Ultra Light, Thin, Heavy, Black and Extra Black weights are recommended for headline sizes.In this chapter we have to ask ourselves whether, in any sense at all, there is such a thing as matter. The Light, Book, Regular, Medium and Bold weights are considered best for text sizes. The typeface family was created to have wide appeal, with a pleasing and consistent experience for readers, for use on screen, in print, in signage, packaging and advertising. The combination of the Tazugane Gothic typefaces’ traditional and humanistic elements, along with its intended ability to complement popular Latin typefaces, makes it one of the most uniquely flexible designs for applications where Japanese and Latin texts can be used together. The typeface is named Tazugane Gothic in honor of the longevity of the crane, with the goal that it will be used for many years to come. Since antiquity, cranes have been regarded in East Asia as auspicious birds for their noble appearance and elegance in flight. ![]() The inspiration for the Tazugane Gothic typeface is as elegant as its design. This update to Tazugane Gothic includes Reiwa designed as a single ligature and is encoded as U+32FF. Tazugane Gothic was updated to support the “Reiwa” new era symbol. The two typefaces work together in a natural, seamless and adaptable manner so that Japanese and Latin texts can be used side-by-side for a wide range of applications, including in magazines, books and other print media on digital devices in branding and corporate identity systems and in signage for buildings, highways and mass transit. The design of the Tazugane Gothic typeface balances an original, humanistic style with elements of traditional Japanese handwriting. Designed by Akira Kobayashi, Kazuhiro Yamada and Ryota Doi of the Monotype Studio, the Tazugane Gothic typeface offers ten weights and was developed to complement the classic Latin typeface, Neue Frutiger. The Tazugane Gothic typeface family is the first original Japanese typeface created by Monotype. True up at the end of each calendar month. For campaigns where number impressions is unknown until the end of the campaign, you can If you know the number of impressions the campaign requires, that amount can be ordered before theĬampaign begins. Prices reflect this, making it much less expensive to use a Digital Ad license. Have consistent pageviews month-to-month whereas advertising impressions can vary wildly month-to-month. There are a few reasons, such as the Digital Ads EULA having terms that enable usage in digital ads and onĭigital advertisements also have different usage patterns compared to websites. HTML5 ads use webfonts, so why purchase a Digital Ads license rather than a Webfont license? ![]() May be shared with third parties who are working on your behalf to produce the ad creatives, however you We'll supply a kit containing webfonts that can be used within digital ads, such as banner ads. You can use this type of license to embed fonts into digital ads, such as ads built using HTML5. ![]()
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